Joshua Wander's story is now too long to summarize here. Please see last week's entry for the story so far. Links to earlier installments are at the bottom of this week's entry.
Last week: Joshua (a.k.a. Chris Stein) introduces Harry (a.k.a. the wizard Onclemac) to his friend Jerry, another Syracuse University student, and explains his current predicament. Jerry informs him that Professor Grayson has accused Chris of killing Rachel before disappearing into thin air. Unable to touch anything in the world of his birth, Josh asks Harry and Jerry to collect some of this clothes from his dorm room. First, however, Josh must distract the police who have been searching his room--and who currently are pointing guns at Joshua/Chris's head.
Part Eight: Ghosts
“Listen,”
I said. “You can shoot me if you want to, but it won’t do anyone
any good. “You can’t hurt me. You’ll only damage the wall
behind me, and cost the University some money.”
“We have no intention of shooting you if you cooperate,” the female cop said. “Are you Christopher Joel Stein?”
“I
was,” I said. It wasn’t a terribly honest or helpful thing to
say, but it was partly true. The name belonged to another life, the one
in which I studied physics and didn’t walk through walls or start fires
with my fingertips. Syracuse didn’t seem real to me any more. It
was a place to be observed and manipulated, like the mental playground
of a lucid dream. Part of the game I meant to play involved
keeping the cops off balance, and getting them out of the room so that
Harry and Jerry could get into it.
The male cop stared
at me, probably noticing, as Jerry had earlier, that I was more
translucent than solid. “What do you mean, you were?” he asked. “You’re
not a ghost or something, are you?” The female cop looked
startled by her partner’s question. Then she, too, stared at me.
“Not
exactly,” I told them, “but close enough. I’ll tell you what you
want to know, but there are things I want in return.”
“You’re in no position to make demands,” the female cop said. “I think you need to come with us downtown.”
I
shook my head. “Can’t,” I said. “Not unless we go on foot.
The physics of my situation won’t allow me to ride in a police car.” It occurred to me
that I hadn't made adequate arrangements to meet my friends later, in case my
interaction with the police proved to be more than a brief diversion. Oh, well.
“Why can't you ride in a police car?” the male cop asked.
“It
can’t carry what it can’t touch,” I explained. “Besides, I’d
rather go to the lab. Are you coming?” With that, I walked
right past the dumbfounded police officers and out the door, into the
11th floor corridor of Brewster Hall. Not knowing what else
to do, they followed me. As I'd hoped, they didn't take the time to
lock the door behind them.
Oh, yeah, that was fun. It didn’t occur to me until later that I’d come down with a slight case of insanity.
Jerry
and Harry were just coming up the hall. “You know what I’m going
to miss about this place?” I said loudly, ostensibly to the cops. “Rock
and roll. I can live without the Stones if I have too, and even the
early Beatles and ex-Beatles. But I’d hate to think that I’ll never
hear Revolver or Abbey Road again.”
Harry shook his head and rolled his eyes at me as I walked past him.
“This
is absurd,” the female cop said ruefully, as she and her partner
hurried after me. “Nothing about this guy makes sense!”
“Well, it makes a kind of sense, but only in context,” I told her, “and you don’t know the context yet.”
“There is no context that could explain all this,” the male cop said.
“Maybe
not to you,” I said, “but it makes sense to me.” We had reached
the end of the hall. Fire doors stood between me and the
stairs. “Listen, I can’t use elevators, either. But you can
follow me down the stairs if you like. Or you can take the
elevator, and I’ll meet you in the first floor student lounge.
Your choice.” Not waiting for an answer, I walked through the
metal door, which clanged open behind me. Good. I set myself at a
downward angle and started walking again. My trajectory mostly had me
walking on empty air over each step.
“How are you doing that?”
the female cop asked. I paused and looked back. She was perhaps
eight steps behind me. The male cop was two steps ahead of her.
“I’m
not sure, but it works. Don’t worry about it. Look, I don’t
know how long I’ll be here before I disappear again, and I have things
to do in the meantime. You want to know what happened to
Rachel, and an explanation about what happened to me that doesn’t sound
completely insane. Am I right?”
“For starters, yes,” the female cop said.
“And
I want to tell you these things. I’d like to hold a press conference,
or at least issue a statement. Do you think you can arrange that?”
“We want a police statement,” the male cop said. “We are not your publicists.”
“Fine. I’ll do it without you. Where’s Grayson?” I said.
“What do you want with Grayson?” the male cop asked suspiciously.
“Are you planning to kill him, the way you killed his wife?” the female cop asked.
An
angry voice replied. “What is wrong with you people?
Haven’t you ever heard of epilepsy? Or waiting for autopsy
results?”
I heard those three questions, the same as those cops
evidently did. I thought they were great questions, but I didn’t
say them. Nevertheless, the words come out of my mouth.
The voice that said them was Rachel’s.
The Real Joshua Wander
Joshua Wander: Two Fragments
Joshua Wander Lives (the history of the character)
Meet Joshua Wander, Part One
Meet Joshua Wander, Part Two
Meet Joshua Wander, Part Three
Meet Joshua Wander, Part Four
Meet Joshua Wander, Part Five
Meet Joshua Wander, Part Six
Meet Joshua Wander, Part Seven
1 comment:
Love it! But I think the cops are being entirely too accommodating. In my experience, they are far less flexible and rational when faced with a suspected murderer. ;-) I think they should have tried to make a grab for him as he blithely walked past them in his room. Once they realized their hands pass right through him, then they have no choice but to just follow him.
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